Living Like Kings: The Unexpected Collision of Chess and Hip Hop Culture explores the surprising ways in which the ancient game of chess intersects with the powerful, creative expression in hip hop culture.
The mission to celebrate the role of chess and its intersection with history and culture provides the World Chess Hall of Fame (WCHOF) with incredible opportunities to explore a variety of subjects both obviously and not so seemingly connected to the ancient war game. In the Fall of 2014 and the Winter of 2015, the WCHOF is examining the unexpected collision of chess and hip hop culture. Inspired by the work of Adisa Banjoko and the Bay Area-based peace and knowledge-promoting Hip-Hop Chess Federation, Living Like Kings centers on an immersive, multimedia experience created by Saint Louis artist, Benjamin Kaplan. Nicole Hudson executive produced this 27-minute video installation, commissioned exclusively by the WCHOF for this show. It includes archival and original videos, music, photography, custom-designed type and illustrations, and a series of interviews with figures from both the hip hop and chess worlds. The first-floor gallery will also include murals featuring chess clocks and boomboxes by local street artist Peat “EYEZ” Wollaeger. By focusing on Saint Louis talent and experts, the WCHOF is ensuring that the exhibition showcases the living, breathing regional scene.
The birth of hip hop in the 1970s coincided with a surge of interest in chess among Americans, inspired by Bobby Fischer’s landmark victory in the 1972 World Chess Championship. As a new generation of players enthusiastically competed over the board, hip hop flourished in the nation’s cities. Living Like Kings celebrates themes that chess and hip hop grew to share: history, strategy, spirituality, process, creativity, education, and symbolism. Through this inspirational presentation, visitors will see powerful connections between the two cultures.
In addition to Kaplan’s full-gallery experience, the WCHOF will also dedicate one floor to an interactive Learning Lab. Evolving over the course of Living Like Kings, the Learning Lab will host multiple projects and exhibitions, exploring aspects of both chess and hip hop culture. Some will last the span of an evening, while others will run the length of the show. Through photography exhibitions, graffiti and lettering murals, music and video stations, hands-on art activities, and educational presentations, the World Chess Hall of Fame hopes to present visitors with opportunities to both contribute to this changing presentation and make it their own.
The Learning Lab will open with graffiti-inspired exhibitions by two local artists. Photographer Adrian O. Walker’s powerful images of graffiti from the Saint Louis area showcase an art form that many consider vandalism, but is often beautiful and extremely vibrant. Daniel Burnett is curating Pieces and Placement, a series of murals that will be created by a team of artists throughout the run of Living Like Kings. Each month, a new artist will create a work based upon a different chess piece, beginning with Burnett’s images of the pawn. As the entire Living Like Kings project grows over the six months of the show, the World Chess Hall of Fame will seek to inspire understanding and learning, acceptance and tolerance, and a deeper appreciation for both the game of chess and the rich history and influence of hip hop.
—Shannon Bailey, Chief Curator, and Emily Allred, Assistant Curator, World Chess Hall of Fame, 2014
The King’s Remix
Living Like Kings is, at its core, the essence of hip hop: a remix, a mashup, a sum of parts. It is a symphony of rhythm and rhyme constructed from individual shards, disparate sources—samples, if you will—combining to tell a complete story. As in any hip hop experience, history rides shotgun. A fresh form is created, built upon the foundation laid by its forefathers.
Living Like Kings also embodies the spirit of chess. The piece is strategic, thoughtful, and passionate. Steeped in years of preparation and knowledge, it is constructed from small, incremental moves that build into a powerful crescendo, using misdirection and illusion to create a sense of surprise.
A study in contrasts, Living Like Kings explores the collision of hip hop and chess as well as the contradictions inherent in the king, who is the central character of the piece. He is the most important piece on the chessboard, the powerful ruler who must be protected at all costs. Players sacrifice other pieces to defend his position, and they execute and abandon entire strategies to safeguard his status. However, the king is also one of the most limited pieces on the chessboard. Only able to move one step at a time, his existence is fragile, and he must rely on others to defend him, often seeking shelter in corners and behind other pieces. He is simultaneously the ultimate insider and the “other.”
This fascinating contradiction is both the thesis at the heart of Living Like Kings and the engine that drives my inspiration for the piece. I also drew insight from the film work of François Girard, Errol Morris, Adam Curtis, and Stan Brakhage; the design work of Kyle Cooper; the innovative radio work of Joe Frank, Studs Terkel and Jad Abumrad; the sound compositions of John Cage; the collage work of Robert Rauschenberg; and the 360 degree film I saw at Epcot Center when I was 15 years old.
I grew up in the 1970s and 1980s in rural, Central Pennsylvania, at the northern tip of the Appalachian Mountains. Being both Jewish and artistic, I was somewhat of an anomaly for that area, an “other” for all intents and purposes. I have carried this sense of being on the outside with me throughout my life.
When I was very young, my father and grandfather built a family room addition to our house, as my parents started adding more kids to their growing family. The room was close to 1,000 square feet and housed the kitchen table, the couch and TV, bookshelves brimming with books, a desk for my father’s “paperwork,” a bathroom, and a laundry room. It is where I did my homework, watched my Saturday morning cartoons, ate my family dinners, played my video games, and where, as a 6th grader, I began my journey towards hip hop. The family room had a linoleum floor and, as you may know, this makes for a great surface for a young boy to try out his dance moves.
During my formative pre-teen years—that time where you begin to expand your world beyond your parent’s record collection and whatever was on Casey Kasem’s top 40—I acquired a record called Breakdance, distributed by KTel, at the one record store located in the one mall on the outskirts of town. The cover was beautiful, depicting a purple graffiti cityscape above a brick wall covered in tags. It beckoned you inside, where it promised to teach you the Moonwalk, the Electric Boogie, how to do footwork, headspins, and more—all the while introducing you to artists such as Grandmaster Flash and the Furious Five, The Sugar Hill Gang, and Spoonie Gee. This record blew my mind. Played over and over and over again, it became the gateway to a new way of thinking about music, fashion, and being a teenager.
I can tell you this: there were no visible signs of a hip hop community in the small town in which I grew up. While my friends were learning about Zeppelin and the Stones and wearing ripped faded jeans, I was absorbing Slick Rick and the Treacherous Three and wearing Adidas and makeshift Kangol hats. The mystical MCs, the shamanistic DJs, and the hyper-kinetic dancers all sparked my imagination and creativity. The electronic beats and sampled grooves resonated with me. The fashion intrigued me, and the dance moves…well, let’s just say there weren’t many seventh grade kids in rural Pennsylvania throwing breakdance parties in their parents’ living room whilst attempting to scratch records on their console stereo.
As we flash forward to present day, I am presented with the opportunity to pay homage to those early heroes in a unique and innovative way, with that culmination of experience manifesting itself as Living Like Kings. My goal is to envelop the viewer in a multi-sensory narrative. Weaving together hundreds of images, thousands of seconds of film footage, millions of pixels, and hours and hours of interviews, Living Like Kings surrounds viewers on two sides with the unique perspectives of those whose tangible experiences place the viewer within an authentic conversation. Two screens battle it out, like in a chess game or a B-Boy battle.
—Benjamin Kaplan, Creator, Living Like Kings, 2014
64 Squares in the Cypher
At a glance, the idea of fusing chess and hip hop may seem so absurd that it could be easily dismissed. But the streets of New York, Chicago, San Francisco, and Washington, D.C. don’t lie. In each city you will find clusters of people gathered in the parks going hard on the sixty-four squares of infinite combat. Listen to what is being played as the opponents lock horns—it’s hip hop.
Street chess grew in popularity across America in the 1970s as hip hop emerged from its embryonic stage. On the corners where street chess thrived, rap, DJ, and dance battles also took place. The same strategies and insight required to win on the chessboard assisted those clashing on the mic, the turntable, and the dance floor. Like the game of chess, each of the elements of hip hop became defined by the beautiful irony that they were war games that could also be used to promote peace around the world.
In 1993 the Wu-Tang Clan released Enter the Wu-Tang (36 Chambers), which shifted the axis of contemporary hip hop culture through innovative, street-tough lyrics blending chess and martial arts references. The Wu-Tang Clan, most notably RZA and GZA, remain firmly at the core of a group of MCs dedicated to perfecting the fusion of chess and hip hop. Surrounding this nucleus are the works of myriad MCs, including artists like Public Enemy, X-Clan, Will Smith, Apathy, and Jay-Z. Every few months a new rap lyric, album cover, or music video utilizes the game of kings to illustrate ideas about street survival, politics, history, and philosophy.
The lessons one can learn from the mic and the chessmen are universal in nature, transcending race, class, faith, and culture. Rap and chess require the use of both logic and intuition, analytical, and creative thinking. They teach us that patience always overcomes power and that actualizing our good thoughts is an art within itself. Ultimately, we hope that the two activities help us to become better human beings, students, citizens, neighbors, and friends to those unlike us.
Not all of the lyrics are sugar-coated or filled with positivity. Hip hop is an art born from the souls of autodidactic poets, painters, dancers, and DJs. Like hustlers playing chess on the street to eat, everything is not all fun and games. Nevertheless the bulk of what connects hip hop, one of the most popular music forms, and chess, one of the oldest games on earth, is deeply inspirational and educational.
—Adisa Banjoko, CEO, Hip-Hop Chess Federation, 2014
About the Curators
Shannon Bailey, Chief Curator, World Chess Hall of Fame
Shannon Bailey is Chief Curator at the World Chess Hall of Fame. She most recently served as the Director of Institutional Giving at the Contemporary Art Museum Saint Louis. Prior to that, she was the Director of Art Galleries at Stephen F. Austin State University in Nacogdoches, Texas.
In addition to her museum work, Shannon has taught university-level art history classes at Cleveland State University, Stephen F. Austin State University, and Saint Louis University. Shannon holds a Master of Arts in Art History and Museum Studies from the Case Western Reserve University/Cleveland Museum of Art joint program and a Bachelor of Arts in Art History and Museum Studies from Juniata College.
Emily Allred, Assistant Curator, World Chess Hall of Fame
Emily Allred is Assistant Curator at the World Chess Hall of Fame. Prior to working at the WCHOF, she was the Research Assistant in the American Art Department at the Saint Louis Art Museum and the Researcher and Collections Manager for the John and Susan Horseman Collection. Emily has contributed to publications for the two institutions. She has a Master of Arts in History and Museum Studies from the University of Missouri-St. Louis and a Bachelor of Arts in Art History and Communications from the University of Missouri-Columbia.
About Benjamin Kaplan
A nationally-recognized artist, Kaplan is the vision behind the installations Living Like Kings (The World Chess Hall of Fame), Currents (COCA) and Storycubes Sukkah (Sukkah City STL); documentary projects such as McNett Country (Stl Film Festival, Flash Film Festival), Brothers in Tone (National Public Radio), and String Theory; and music videos for soul artist Brian Owens and Magnolia Summer. Kaplan’s film and design work has been acclaimed by The Tellys, Communication Arts Magazine, How Magazine, Print Magazine, Create Magazine, The Addies, and AIGA.
A musician, songwriter, composer, and producer, Kaplan is the leader of the avant-musical project The Vaad, which released its debut recording Kissing the Sea on the Lips, to critical praise in 2012 and is poised to release a new recording in December. He is also the co-founder of the cultural wayfinding project Commonwealth and the founder of pioneering Applied Storytelling firm, Act3.
Kaplan holds a Bachelor of Fine Arts degree in Film and Television Production from the Tisch School of the Arts at New York University and spent 10 years on the faculty of the Sam Fox School of Design and Visual Arts at Washington University.
About Nicole Hudson
Nicole Hudson has spent her career applying digital media to products in industries ranging from Broadway to finance to journalism. A Northwestern University grad, Nicole has managed the online brands for shows like Les Misérables and The Phantom of the Opera, worked on web development, ticketing and calendar conversion and ad network development with clients such as the Boston Symphony Orchestra and Lincoln Center and tackled online tools and branding for companies like the New Yorker and Goldman Sachs. On the ad agency side, she oversaw national digital campaigns and one-to-one marketing products for AT&T. She has managed web, print, outdoor and on-air production for TV and radio stations, hotels and real-estate developments.
Her 6 years on the business side of the non-profit start-up St. Louis Beacon have given her a front row seat for the transformation happening in local information and the opportunity that digital platforms bring. Nicole consults independently with individuals, organizations and brands on communication strategy, content development and the general navigation of digital waters.
WGM Jennifer Shahade
GM Maurice Ashley
Works Featured in the Exhibition
Internationally-recognized stencil graffiti artist Peat “EYEZ” Wollaeger was brought up in the school of Keith Haring, Shepard Fairey, Swoon, Banksy, and other street artists. He is well-known for his iconic EYEZ, raw colorful portraits, stencil videos, and, most of all, his public art. Wollaeger believes in public art as a way to beautify a community, to shape people’s lives, and to introduce art to people who may never step into a gallery. Most importantly, he believes art transforms cities and improves people’s quality of life.
Wollaeger’s work has been exhibited in the Saint Louis Loop (EYEZ on Delmar), Art Basel Miami Primary Flight (Tribute to Keith Haring in Wynwood), Welling Court Murals in Queens, New York, (EYEZ on Nelson Mandela and Maya Angelou), Nashville Airport (Bonnaroo Installation), Green Day’s “the ART of Rock” at Stolen Spaces in London, Monon Trail In Indianapolis (600ft Love Train Mural), and numerous other public art projects across the globe. Wollaeger lives and works in Saint Louis, Missouri. He recently opened a new storefront/gallery called Studio Twoz at 2222 South Jefferson Avenue, which features his new clothing line (EYEZbrand.com) and a gallery exhibiting urban contemporary art.
Living Like Kings: Learning Lab
Boom!: Photos of American Chess in the post-Bobby Fischer Era. October 9, 2014
Including photographs and periodicals from the collection of the World Chess Hall of Fame, this wall shows images of players who excelled during the 1970s and 1980s, the same years that hip hop was born and thrived in New York City. Bobby Fischer’s victory in the 1972 World Chess Championship inspired a new generation of young players to take up the game. This group includes four-time U.S. Chess Champion Yasser Seirawan and chess historian and IM John Donaldson. Alongside images of these figures are portraits of players who excelled in Fischer’s own era, including Walter Browne and Larry Evans, as well as Garry Kasparov, who first won the World Chess Championship in 1985.
Make Your Mark. October 9, 2014 - February 22nd, 2015
Make Your Mark was a community-driven installation housed within the Living Like Kings Learning Lab. For its duration, a chalkboard was attached to various walls in the Learning Lab, allowing guests to experience the transient, competitive, and above all creative experience of making graffiti.
On Chess and Hip Hop. October 9, 2014 - April 26, 2015
St. Louisans reflect on how the strategies used in the game of chess can mirror the realities of navigating the hip hop industry, lifestyle and art.
Pieces and Placement. October 9, 2014 - April 26, 2015
Evolving through the course of Living Like Kings, Pieces and Placement features a series of large-scale works inspired by the game of kings. Each month, a new artist will create a work based upon a single chess piece, beginning with the pawn and ending with the king. This installation was curated by Daniel Burnett.
Street Beautification. October 9, 2014 - April 26, 2015
Street Beautification, an exhibition of photography by Adrian O. Walker, features images of street art from the city of Saint Louis as part of the companion learning lab to Living Like Kings.
Highlights from the World Chess Hall of Fame Appearing in Living Like Kings.
Mahogany Jones. October 22nd, 2014
An evening of inspirational and uplifting hip-hop by Mahogany Jones and surprise guests. Jones joined us all the way from Detroit to showcase her spoken-word poetry, freestyle skills and singer/songwriter talents.
The Covers. January 2nd, 2015 - February 22nd, 2015
The Covers exhibits colorful, iconic album covers from the collection of James Gates aka Nappy DJ Needles.
HipSwing. January 22nd, 2015
Thelonius Kryptonite and Lamar Harris teamed up to lead a workshop presenting comparative studies on chess and hip hop, encouraging attendees to listen closely and learn more about figures who blended the two musical genres.
Champions in Motion. February 17th, 2015
Champions in Motion explores the achievements of two figures from different worlds, chess and hip hop. Spotlighting hip hop mogul Jay-Z and U.S. and World Chess Hall of Fame inductee Bobby Fischer, the performance and workshop uses examples of moves made from both figures on how they maintained champion status in their fields.
Freedom Under Rough Years. February 24, 2015 - March 22, 2015
Freedom Under Rough Years showcases the work of multi-talented local artist Nicholas Gates. Through his work with dance, sculpture, and fashion, Gates celebrates the elements of hip hop, particularly graffiti and b-boying.
Brand New Old School Style. March 19th, 2015.
An introduction to the Brand New Old School Style with St. Louis dancer, choreographer, sculptor, and fashion designer, Nicholas Gates.
B-boy images © Patrick Lanham
3/17/15 Living St. Louis — Black Art Exhibts by Ruth Ezell
2/23/15: Repair the World — Chess Meets HipHop by Leah Koenig
1/22/15: Fox2Now — HipSwing at World Chess Hall of Fame (Video)
1/20/15: STLToday.com — HipSwing event taking place at World Chess Hall of Fame by Kevin Johnson
1/8/15: I Heart Buffets — Stills from Living Like Kings
1/7/15: STLCurator — Through the Eyes of Peat Wollaeger, St. Louis Stencil Artist
1/1/15: St. Louis Public Radio — On Chess: 2014 Proved Banner Year For Chess In St. Louis
12/2/14: The Chess Drum — “Living Like Kings”… a royal treat!
12/1/14: KDHX — Shannon Bailey and Benjamin Kaplan, “Living Like Kings” (Podcast)
10/19/14: Hot 104.1 — RZA & Adisa Banjoko Panel Discussion
10/16/14: Riverfront Times — Living Like Kings Multimedia Exhibit Links Chess and Hip-Hop
10/16/14: ALIVE Magazine — Q&A With RZA: Hip-Hop Pioneer, Wu-Tang Clan Founder And Chess Player
10/15/14: ALIVE Magazine — World Chess Hall Of Fame “Living Like Kings” Opening Night
10/11/14: Beta’s Block — Tef Poe (@TefPoe) spitting to Wu-Tang’s RZA at the World Chess Hall Of Fame
10/10/14: The Chess Drum — HHCF and WCHOF present “Living Like Kings”
10/9/14: ALIVE Magazine — World Chess Hall Of Fame Premieres ‘Living Like Kings’ Tonight
10/9/14: The St. Louis Egotist — #ShitToHit TONIGHT: Living Like Kings Opening Reception - The Unexpected Collision of Chess & Hip Hop @WorldChessHOF
10/9/14: St. Louis Public Radio — Worlds Collide: Hip-Hop And Chess At The World Chess Hall Of Fame
10/8/14: STLToday.com — Rapper RZA speaking on panel bringing together youth issues and chess
10/8/14: West End Word — “Living Like Kings” At Chess Hall Of Fame
10/2/14: Ebony — Hip-Hop Chess Federation Makes Grandmaster Moves
10/1/2014: St. Louis Jewish Light — All the Right Moves
10/2014: ALIVE Magazine — Hip Hop Happening
10/2014: ALIVE Magazine — 7 Things to Do This Month: Live Like Royalty
9/29/14: I Heart Buffets — THE KING’S REMIX by Benjamin Kaplan
9/23/14: STL Hip Hop — Living Like Kings: The Unexpected Collision of Chess and Hip Hop Culture (Press Release)
7/16/14: STLCurator — The World Chess Hall of Fame Attracts … Hip-Hop and Fashion Lovers?